She made waves in Hollywood with her blond hair & blue eyes, but look at her now

Kathleen Turner gained notoriety in the 1980s thanks to her beauty and strength; many people rank her among Hollywood’s most gorgeous actresses.

The actress has endured many good and bad circumstances throughout the years, and this tenacity has seen her through both. Despite having a challenging background, Kathleen Turner was raised in a home with four other kids.

She was brought up in both Venezuela and London, along with her siblings. Tragically, she saw the abrupt death of her father when he was mowing the lawn of their Hampstead home when she was a small girl.

The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..

After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”

Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.

“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.

She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.

Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.

“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.

Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.

Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.

In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.

“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”

Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.

“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”

As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”

After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.

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